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001 ocn907774525
003 OCoLC
005 20160511074912.2
006 m o d
007 cr cnu---unuuu
008 150422s2015 ilu ob s001 0 eng d
020 9780252097317|q(e-book)
020 0252097319|q(e-book)
035 (OCoLC)907774525|z(OCoLC)923499486
040 N$T|beng|erda|epn|cN$T|dIDEBK|dP@U|dE7B|dYDXCP|dJSTOR
|dOCLCO|dCDX|dTEFOD|dUMC|dTEFOD|dEBLCP|dOCLCO
049 MAIN
050 4 TR23|b.F548 2015eb
082 04 770.9/034|223
100 1 Finnegan, Cara A.
245 10 Making photography matter :|ba viewer's history from the
Civil War to the Great Depression /|cCara A. Finnegan.
264 1 Urbana :|bUniversity of Illinois Press,|c[2015]
300 1 online resource.
336 text|btxt|2rdacontent
337 computer|bc|2rdamedia
338 online resource|bcr|2rdacarrier
505 0 The presence of unknown soldiers and imaginary spirits :
viewing national grief and trauma in the Civil War --
Recognizing Lincoln : portrait photography and the
physiognomy of national character -- Appropriating the
healthy child : the child that toileth not and Progressive
Era child labor photography -- Managing the magnitude of
the Great Depression : viewers respond to FSA photography.
506 1 Unlimited number of concurrent users.|5UkHlHU
650 0 Documentary photography|zUnited States|xHistory|y20th
century.
650 0 Documentary photography|zUnited States|xHistory|y19th
century.
650 0 Photography|xSocial aspects|zUnited States.
856 40 |uhttps://www.jstor.org/stable/10.5406/j.ctt14jxvhb|zGo to
ebook
936 JSTOR-D-2016/17
