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049 MAIN
050 4 NB1936|b.N45 2007eb
082 04 730.973/09034|222
100 1 Nelson, Charmaine.
245 14 The color of stone :|bsculpting the black female subject
in nineteenth-century America /|cCharmaine A. Nelson.
260 Minneapolis :|bUniversity of Minnesota Press,|c©2007.
300 1 online resource (xxxv, 234 pages) :|billustrations
336 text|btxt|2rdacontent
337 computer|bc|2rdamedia
338 online resource|bcr|2rdacarrier
347 data file
380 Bibliography
505 00 |tDismembering the flock : difference and the "lady-
artists" --|t"Taste" and the practices of cultural tourism
: vision, proximity, and commemoration --|t"So pure and
celestial a light" : sculpture, marble, and whiteness as a
privileged racial signifier --|tWhite slaves and Black
masters : appropriation and disavowal in Hiram Powers's
Greek slave --|tThe color of slavery : degrees of
blackness and the bodies of female slaves --|tRacing the
body : reading blackness in William Wetmore Story's
Cleopatra --|tThe Black queen in the White body : Edmonia
Lewis and the dead queen Conclusion : neoclassicism and
the politics of race.
650 0 Women, Black, in art.
650 0 Figure sculpture, American|y19th century.
650 0 Marble sculpture, American|y19th century.
650 0 Sculpture, Neoclassical|zUnited States.
650 0 Race in art.
776 08 |iPrint version:|aNelson, Charmaine.|tColor of stone.
|dMinneapolis : University of Minnesota Press, ©2007
|z9780816646500|z0816646503|w(DLC) 2007001735
|w(OCoLC)79860597
856 40 |uhttps://hull.idm.oclc.org/login?url=https://
www.jstor.org/stable/10.5749/j.ctttv20h
921 .
936 JSTOR-E-2022/23
994 92|bUKHLL
