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Author Marston, Kendra,
Title Postfeminist whiteness : problematising melancholic burden in contemporary Hollywood / Kendra Marston.
Publisher Edinburgh : Edinburgh University Press, [2018]
Copyright date ©2018



Descript 1 online resource (ix, 221 pages) : illustrations
Content text txt
Media computer c
Carrier online resource cr
Contents The world is her oyster: negotiating contemporary white womanhood in Hollywood's tourist spaces -- 'Hoist the colours!' Framing feminism through charismatic white leadership in the fantasy blockbuster -- Neoliberalism, female agency and conspicuous consumption as tragic flaw in Woody Allen's Blue Jasmine -- Paranoid attachments to suburban dreams: pathological feminitity in Gone Girl and The Girl on the Train -- Aristocratic whiteness, body trauma and the market logic of melancholia in Black Swan -- Sofia Coppola's melancholic aesthetic: vanishing femininity in an object-oriented world.
Note Unlimited number of concurrent users. UkHlHU
ISBN 9781474430319 (electronic bk.)
1474430317 (electronic bk.)
9781474430296 (electronic bk.)
1474430295 (electronic bk.)
9781474430326 (epub)
1474430325 (epub)
Click on the terms below to find similar items in the catalogue
Author Marston, Kendra,
Subject Feminism and motion pictures.
Women, White, in motion pictures.
Melancholy in motion pictures.
Race relations in motion pictures.
Descript 1 online resource (ix, 221 pages) : illustrations
Content text txt
Media computer c
Carrier online resource cr
Contents The world is her oyster: negotiating contemporary white womanhood in Hollywood's tourist spaces -- 'Hoist the colours!' Framing feminism through charismatic white leadership in the fantasy blockbuster -- Neoliberalism, female agency and conspicuous consumption as tragic flaw in Woody Allen's Blue Jasmine -- Paranoid attachments to suburban dreams: pathological feminitity in Gone Girl and The Girl on the Train -- Aristocratic whiteness, body trauma and the market logic of melancholia in Black Swan -- Sofia Coppola's melancholic aesthetic: vanishing femininity in an object-oriented world.
Note Unlimited number of concurrent users. UkHlHU
ISBN 9781474430319 (electronic bk.)
1474430317 (electronic bk.)
9781474430296 (electronic bk.)
1474430295 (electronic bk.)
9781474430326 (epub)
1474430325 (epub)
Author Marston, Kendra,
Subject Feminism and motion pictures.
Women, White, in motion pictures.
Melancholy in motion pictures.
Race relations in motion pictures.

Subject Feminism and motion pictures.
Women, White, in motion pictures.
Melancholy in motion pictures.
Race relations in motion pictures.
Descript 1 online resource (ix, 221 pages) : illustrations
Content text txt
Media computer c
Carrier online resource cr
Contents The world is her oyster: negotiating contemporary white womanhood in Hollywood's tourist spaces -- 'Hoist the colours!' Framing feminism through charismatic white leadership in the fantasy blockbuster -- Neoliberalism, female agency and conspicuous consumption as tragic flaw in Woody Allen's Blue Jasmine -- Paranoid attachments to suburban dreams: pathological feminitity in Gone Girl and The Girl on the Train -- Aristocratic whiteness, body trauma and the market logic of melancholia in Black Swan -- Sofia Coppola's melancholic aesthetic: vanishing femininity in an object-oriented world.
Note Unlimited number of concurrent users. UkHlHU
ISBN 9781474430319 (electronic bk.)
1474430317 (electronic bk.)
9781474430296 (electronic bk.)
1474430295 (electronic bk.)
9781474430326 (epub)
1474430325 (epub)

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