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049 MAIN
050 4 RA790.5
082 04 362.19689
100 1 Halliwell, Martin.
245 10 Therapeutic revolutions :|bfilm dramas in the borderlands.
260 New Brunswick, NJ :|bRutgers University Press,|c2013.
300 1 online resource (392 pages)
336 text|btxt|2rdacontent
337 computer|bc|2rdamedia
338 online resource|bcr|2rdacarrier
505 0 Illustrations; Preface; Acknowledgments; Introduction. The
Therapeutic Revolutions of Postward America; Part 1.
Fragmentation 1945-1983; Chapter 1. Going Home, World War
II and Demobilization; Figure 1.1 Dr. Brock
(Everett Sloane) tries to counsel a stubborn Bud Wilcheck
(Marlon Brando). The Men (Fred Zinnemann, United Artists,
1950).; Figure 1.2 Al Schmid (John
Garfield) and Ruth Hartley (Eleanor Parker) appear in Al's
blindness dream. Pride of the Marines (Delmer Daves,
Warner Brothers, 1945).
505 8 Figure 1.3 A hospitalized Larry Nevins
(Arthur Kennedy) struggles to come to terms with his
blindness. Bright Victory (Mark Robson, Universal, 1951).
Chapter 2. In the Noir Mirror, Neurosis, Agression, and
Disguise; Figure 2.1 Philip Marlowe (Dick
Powell) struggles to regain consciousness after being
drugged. Murder, My Sweet (Edward Dmytryk, RKO, 1944).;
Figure 2.2 Dr. Constance Petersen (Ingrid
Bergman) tries to unravel a psychiatric case as John
Ballantine (Gregory Peck) sleeps in Spellbound (Alfred
Hitchcock, United Artists, 1945).
505 8 Chapter 3. Ground Zero, Science, Medicine, and the Cold
WarFigure 3.1 Grant Williams as Scott Carey
contemplates his diminished size, surrounded by
ineffectual medical cures. Publicity still for The
Incredible Shrinking Man (Jack Arnold, Universal, 1957).;
Figure 3.2 Dr. Miles Bennell (Kevin
McCarthy), wearing a tie, and friends contemplate a
biological invasion early in Invasion of the Body
Snatchers (Don Siegel, Allied Artists, 1956).; Part 2.
Organization 1953-1961; Chapter4. Organization Men,
Individualism vs Incorporation.
505 8 Figure 4.1 Fred Staples (Van Heflin)
discovers that an older co-worker, William Briggs
(Ed Begley), is close to a breakdown. Patterns (Fielder
Cook, United Artists, 1956). Figure 4.2 Tom
Rath (Gregory Peck) struggles to tell his life story
during a job interview. The Man in the Gray Flannel Suit
(Nunnally Johnson, Twentieth Century-Fox, 1956).;
Chapter 5. In the Family Circle, The Suburban Medicine
Cabinet; Figure 5.1 Herblock, "Split-&
#x00AD;Level Living," Washington Post, 9 March 1960. © The
Herb Block Foundation.
505 8 Figure 5.2 An anxious Betsy Rath (Jennifer
Jones) in her suburban Connecticut kitchen. The Man in the
Gray Flannel Suit (Nunnally Johnson, Twentieth Century-&
#x00AD;Fox, 1956). Figure 5.3 A psychotic
Ed Avery (James Mason) destroys his suburban house and his
family during a fight with Wally Gibbs (Walter Matthau).
Bigger Than Life (Nicholas Ray, Twentieth Century-&
#x00AD;Fox, 1956).; Chapter 6. Outside the Circle, Growing
pains, Deliquency, and Sexuality; Figure 6.1 &
#x2002;Herblock, "Ever Think of Starting the Motor?,"
Washington Post, 16 July 1956. © The Herb Block
Foundation.
650 0 Mental illness|zUnited States|xHistory.
650 0 Mental health services.
650 0 Therapeutics|zUnited States|xHistory.
856 40 |uhttps://www.jstor.org/stable/10.2307/j.ctt5hj1nk
921 .
936 JSTOR-E-2019-20
