LEADER 00000cam 2200721 i 4500 001 ocn965831620 003 OCoLC 005 20220617050316.0 006 m o d 007 cr cnu---unuuu 008 161213t20162016cau ob s001 0 eng d 020 9780520966055|q(electronic bk.) 020 0520966058|q(electronic bk.) 020 |z9780520292550 020 |z0520292553 020 |z9780520292567 020 |z0520292561 035 (OCoLC)965831620|z(OCoLC)966184199|z(OCoLC)966714901 |z(OCoLC)967189324|z(OCoLC)986968704 040 JSTOR|beng|erda|epn|cJSTOR|dYDX|dCSAIL|dGZM|dOCLCQ|dOCLCO |dP@U|dIOG|dWYU|dJTB|dOCLCO|dOCLCQ|dOCLCO|dOCLCA 049 MAIN 050 4 NC1766.U52|b.P58349 2016eb 082 04 791.43/34|223 100 1 Herhuth, Eric,|d1983-|eauthor. 245 10 Pixar and the aesthetic imagination :|banimation, storytelling, and digital culture /|cEric Herhuth. 264 1 Oakland, California :|bUniversity of California Press, |c[2016] 264 4 |c©2016 300 1 online resource 336 text|btxt|2rdacontent 337 computer|bc|2rdamedia 338 online resource|bcr|2rdacarrier 505 0 Aesthetic storytelling: a tradition and theory of animation -- The uncanny integrity of digital commodities (Toy story) -- From the technological to the postmodern sublime (Monsters, Inc.) -- The exceptional dialectic of the fantastic and the mundane (The Incredibles) -- Disruptive sensation and the politics of the new (Ratatouille). 610 20 Pixar (Firm) 630 00 Toy story (Motion picture) 630 00 Monsters, Inc. (Motion picture) 630 00 Incredibles (Motion picture) 630 00 Ratatouille (Motion picture) 650 0 Motion pictures|xAesthetics. 650 0 Animated films|zUnited States|xPsychological aspects. 776 08 |iPrint version:|aHerhuth, Eric, 1983-|tPixar and the aesthetic imagination.|dOakland, California : University of California Press, [2016]|z9780520292550|w(DLC) 2016026841|w(OCoLC)948339285 856 40 |uhttps://hull.idm.oclc.org/login?url=https:// www.jstor.org/stable/10.1525/j.ctt1j2n8rx 921 . 936 JSTOREBA2021/22 994 92|bUKHLL