| Subject |
Motion pictures and the arts.
|
|
Motion pictures -- Criticism and interpretation.
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Intermediality.
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| Descript |
1 online resource (xiii, 206 pages) : illustrations |
| Content |
text txt |
| Media |
computer c |
| Carrier |
online resource cr |
| Contents |
Introduction / Kim Knowles and Marion Schmid -- Mapping the interzone. -- Film and performance: intermedial intersections / Stephen Barber -- Carving cameras: Antonioni's Lo sguardo di Michelangelo / Steven Jacobs -- The photo-filmic and the post-human: picturesque landscapes at the peripheries of global cinema / Ágnes Pethö -- Dream screen: on cinema and painting, blur and absorption / Martine Beugnet -- The intermedial avant-gardes. -- From the periphery to the interstices: avant-garde film, medium specificity and intermediality, 1970-2015 / Christopher Townsend -- The 'artist as filmmaker': modernisms, schisms, misunderstandings / Lucy Reynolds -- The artwork/statement as intermedial nexus: Paul Sharits's N:O:T:H:I:N:G / Barnaby Dicker -- Technology, apparatus, affect. -- Intermediality and the origins of cinema / Boris Wiseman -- Cinematography's blind spots: artistic exploitations of the film frame / Gabriele Jutz -- Filming and feeling between the arts: Pascale Breton, Suite armoricaine and Eugène Green, Le fils de Joseph / Marion Schmid -- Intermedial creation. -- What does a dance filmmaker see? / Adam Roberts -- Performance, moving image, installation: the making of Body of war and Faith / Isabel Rocamora -- Muybridge's disobedient horses: Non-stop stop-motion / Anna Vasof -- A dialogue with Claude Cahun: between writing, photography and film in Magic mirror and Confessions to the mirror / Sarah Pucill. |
| Alt author |
Knowles, Kim, 1976- editor.
|
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Schmid, Marion, 1969- editor.
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| ISBN |
9781474446365 (electronic book) |
|
1474446361 (electronic book) |
|
1474446345 |
|
9781474446341 |
|
9781474495233 (ebook) |
|
1474495230 |
|
9781474446372 (ePub ebook) |
|
