LEADER 00000cam 2200409 a 4500
001 05b31366466
003 UkLCURL
008 090811s2009 nyua b 001 0 eng
020 9781845456054|q(hbk.)
020 184545605X|q(hbk.)
020 9780857456175|q(pbk.)
035 (OCoLC)316825701
035 (OCoLC)ocn316825701
035 (UkLU)b31366466
040 DLC|cDLC|dBTCTA|dYDXCP|dC#P|dBWX|dUKM|dCDX
049 |jCU|k05b31366466|lo
050 4 PN 1993.5 G3 B1
082 00 791.430943/09044|222
100 1 Baer, Hester,|eauthor.
245 10 Dismantling the dream factory :|bgender, German cinema,
and the postwar quest for a new film language /|cHester
Baer.
260 New York :|bBerghahn Books,|cc2009.
300 xiii, 304 p. :|bill. ;|c24 cm.
440 0 Film Europa ;|vv. 9
505 0 Relegitimating cinema: female spectators and the problem
of representation -- How do you solve a problem like
Susanne?: the female gaze in Wolfgang Staudte's The
murderers are among us (1946) -- When fantasy meets
reality: authorship and stardom in Rudolf Jugert's Film
without a title (1948) -- Gendered visions of the German
past: Wolfgang Liebeneiner's Love '47 (1949) as woman's
film -- Unsolved mysteries: race, ethnicity, and gender in
Helmut Kätner's Epilogue (1950) -- Art on film:
representing gender and sexuality in popular cinema --
"Through her eyes": regendering representation in Willi
Forst's The sinner (1951) -- Looking at Heimat: visual
pleasure and cinematic realism in Alfons Stummer's The
forester of the silver wood (1955) -- Degenerate art?:
problems of gender and sexuality in Veit Harlan's
Different from you and me (175) (1957) -- Towards the new
wave: gender and the critique of popular cinema --
Pleasurable negotiations: spectatorship and genre in
Helmut Kätner's "anti-tearjerker" Engagement in Zurich
(1957) -- Sound and spectacle in the Wirtschaftswunder:
the critical strategies of Rolf Thiele's The girl
Rosemarie (1958) -- Gender and the new wave: Herbert
Vesely's The bread of those early years (1962) as
transitional film -- Epilogue: adapting the 1950s: the
afterlife of postwar cinema in post-unification popular
culture.
650 0 Motion pictures|zGermany|xHistory|y20th century.
650 0 Motion pictures|xSocial aspects|zGermany.
650 0 Motion pictures for women|zGermany.
650 0 Motion picture audiences|zGermany.
650 0 Women in motion pictures.
