| Descript |
1 online resource |
| Content |
text txt |
| Media |
computer c |
| Carrier |
online resource cr |
| Contents |
The Blackest Blackness: Slavery and the Satire of Kara Walker / Derek Conrad Murray -- Three-Fifths of a Black Life Matters Too: Four Neo-Slave Novels from the Year 'Post-Racial' Definitively Stopped Being a Thing / Derek C. Maus -- Whispering Racism in a Post-Racial World: Slavery and Postblackness in Paul Beatty's The Sellout / Cameron Leader-Picone -- Getting Graphic with Kindred: The Neo-Slave Narrative of the Black Lives Matter Movement / Mollie A. Godfrey -- "Stay Woke:" Post-Black Filmmaking and the Afterlife of Slavery in Jordan Peele's Get Out / Kimberly Nichele Brown -- The Song: Living with "Dixie" and the "Coon Space" of Post-Blackness / Chenjerai Kumanyika, Jack Hitt, and Chris Neary, with an introduction by Bertram D. Ashe -- Performing Slavery at the Turn of the Millennium: Stereotypes, Affect, and Theatricality in Branden Jacobs-Jenkins's Neighbors and Young Jean Lee's The Shipment / Ilka Saal -- Thylias Moss's Slave Moth: Liberatory Verse Narrative and Performance Art / Malin Pereira -- Plantation Memories: Cheryl Dunye's Representation of a Representation of American Slavery in The Watermelon Woman / Bertram D. Ashe -- "An Audience is a Mob on its Butt": Interview with Branden Jacobs-Jenkins / Bertram D. Ashe and Ilka Saal. |
| ISBN |
9780295746654 (electronic bk.) |
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0295746653 (electronic bk.) |
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0295746645 |
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9780295746647 |
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9780295746630 |
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0295746637 |
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