1 online resource (xi, 226 pages) : illustrations; digital file(s).
Content
text txt
Media
computer c
Carrier
online resource cr
Descript
data file rda
Note
Made available via: manchesterhive.
Contents
Introduction -- Part I: The discursive act -- 1. Discourses of resistance: representation and the real in the twentieth century avant-gardes -- 2. Deconstructing the postdramatic: questions of mimesis, authorship, and representation -- Part II: Apparitions of the real -- 3. Quoting quotations: citational theory and contemporary characterisation -- 4. Representing the real: verbatim practice in a sceptical age -- 5. Re-membering the real: experiential challenges to the medium of theatrical representation -- 6. From spect-actor to corporate player: re-configurations of twenty first century audiences -- Afterword.
Discourses on the real in performance practice and theory, 1990-2010
Descript
1 online resource (xi, 226 pages) : illustrations; digital file(s).
Content
text txt
Media
computer c
Carrier
online resource cr
Descript
data file rda
Note
Made available via: manchesterhive.
Contents
Introduction -- Part I: The discursive act -- 1. Discourses of resistance: representation and the real in the twentieth century avant-gardes -- 2. Deconstructing the postdramatic: questions of mimesis, authorship, and representation -- Part II: Apparitions of the real -- 3. Quoting quotations: citational theory and contemporary characterisation -- 4. Representing the real: verbatim practice in a sceptical age -- 5. Re-membering the real: experiential challenges to the medium of theatrical representation -- 6. From spect-actor to corporate player: re-configurations of twenty first century audiences -- Afterword.
1 online resource (xi, 226 pages) : illustrations; digital file(s).
Content
text txt
Media
computer c
Carrier
online resource cr
Descript
data file rda
Note
Made available via: manchesterhive.
Contents
Introduction -- Part I: The discursive act -- 1. Discourses of resistance: representation and the real in the twentieth century avant-gardes -- 2. Deconstructing the postdramatic: questions of mimesis, authorship, and representation -- Part II: Apparitions of the real -- 3. Quoting quotations: citational theory and contemporary characterisation -- 4. Representing the real: verbatim practice in a sceptical age -- 5. Re-membering the real: experiential challenges to the medium of theatrical representation -- 6. From spect-actor to corporate player: re-configurations of twenty first century audiences -- Afterword.
