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020 9780520966055|q(electronic bk.)
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040 JSTOR|beng|erda|epn|cJSTOR|dYDX|dCSAIL|dGZM|dOCLCQ|dOCLCO
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049 MAIN
050 4 NC1766.U52|b.P58349 2016eb
082 04 791.43/34|223
100 1 Herhuth, Eric,|d1983-|eauthor.
245 10 Pixar and the aesthetic imagination :|banimation,
storytelling, and digital culture /|cEric Herhuth.
264 1 Oakland, California :|bUniversity of California Press,
|c[2016]
264 4 |c©2016
300 1 online resource
336 text|btxt|2rdacontent
337 computer|bc|2rdamedia
338 online resource|bcr|2rdacarrier
505 0 Aesthetic storytelling: a tradition and theory of
animation -- The uncanny integrity of digital commodities
(Toy story) -- From the technological to the postmodern
sublime (Monsters, Inc.) -- The exceptional dialectic of
the fantastic and the mundane (The Incredibles) --
Disruptive sensation and the politics of the new
(Ratatouille).
610 20 Pixar (Firm)
630 00 Toy story (Motion picture)
630 00 Monsters, Inc. (Motion picture)
630 00 Incredibles (Motion picture)
630 00 Ratatouille (Motion picture)
650 0 Motion pictures|xAesthetics.
650 0 Animated films|zUnited States|xPsychological aspects.
776 08 |iPrint version:|aHerhuth, Eric, 1983-|tPixar and the
aesthetic imagination.|dOakland, California : University
of California Press, [2016]|z9780520292550|w(DLC)
2016026841|w(OCoLC)948339285
856 40 |uhttps://hull.idm.oclc.org/login?url=https://
www.jstor.org/stable/10.1525/j.ctt1j2n8rx
921 .
936 JSTOREBA2021/22
994 92|bUKHLL
