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Title Looking and learning : visual literacy across the disciplines / edited by Deandra Little, Peter Felten, Chad Berry.
Publication Info San Francisco : Jossey-Bass, 2015.



Descript 104 pages
Contents EDITORS NOTES 1 Deandra Little, Peter Felten, Chad Berry 1. Teaching Visual Literacy in the Astronomy Classroom 7 Anthony Crider An astronomy professor describes how he teaches students to read and write images, diagrams, and plots to teach visual literacy skills along with a deeper understanding of how images are used to understand and explain in the field of astronomy. 2. Learning to See the Infinite: Teaching Visual Literacy in a First-Year Seminar Course 19 Michael S. Palmer This chapter describes an interdisciplinary first-year seminar course designed to develop students visual literacy skills and includes an overview of the course and a discussion of the efficacy of the instructional interventions, as well as a timeline and description of the specific learning activities used to help students learn to see the infinite. 3. Sociology through Photography 31 Katherine Hyde This chapter explores how photography can inspire and cultivate sociological mindfulness through two sets of assignments that highlight the complexity of visual representations of social identity and guide sociological inquiry. 4. Seeing Is the Hardest Thing to See: Using Illusions to Teach Visual Perception 43 Cedar Riener A cognitive science professor explains how he uses optical illusions to teach visual perception in ways that encourage students to change their perspectives about how vision works, and in the process begin to question their assumptions about how knowledge is constructed in a variety of disciplines. 5. How to Navigate an Upside-Down World: Using Images in the History Classroom 53 Steven S. Volk This chapter explores the challenges and benefits of working with images in a history classroom, including the complexity of helping students use images as historical evidence, ways in which close readings of images can help students develop deep attention, and how work with images can be done in a way that accommodates all students, including those with limited or no sight. 6. Teaching Film and Filmmaking in a Second Language 67 Alison J. Murray Levine This chapter describes a pedagogical approach that blends theory and practice in upper-level French film classes, and that has objectives, design, and assignments applicable to many contexts in which instructors might want to engage with visual material. 7. Learning to and from the Visual Critique Process 77 Phillip Motley A professor of visual communications examines the ways visual critique can benefit students in art, design, or visual communication fields, as well as those in a range of other courses where interpreting or creating visual images is a crucial part of course content. 8. Teaching Visual Literacy across the Curriculum: Suggestions and Strategies 87 Deandra Little This final chapter highlights seven general suggestions and strategies as a quick guide to effective practice for faculty (and others) working to develop visual literacy in classrooms and across the curriculum. INDEX 91
Note 200 annual accesses. UkHlHU
ISBN 9781119063391 (e-book)
9781119063384 (pbk.)
Click on the terms below to find similar items in the catalogue
Series New directions for teaching and learning ; 141
New directions for teaching and learning ; 141.
Subject Inclusive education -- United States.
Visual literacy -- United States.
Special education -- United States.
Alt author Little, Deandra.
Felten, Peter.
Berry, Chad.
Descript 104 pages
Contents EDITORS NOTES 1 Deandra Little, Peter Felten, Chad Berry 1. Teaching Visual Literacy in the Astronomy Classroom 7 Anthony Crider An astronomy professor describes how he teaches students to read and write images, diagrams, and plots to teach visual literacy skills along with a deeper understanding of how images are used to understand and explain in the field of astronomy. 2. Learning to See the Infinite: Teaching Visual Literacy in a First-Year Seminar Course 19 Michael S. Palmer This chapter describes an interdisciplinary first-year seminar course designed to develop students visual literacy skills and includes an overview of the course and a discussion of the efficacy of the instructional interventions, as well as a timeline and description of the specific learning activities used to help students learn to see the infinite. 3. Sociology through Photography 31 Katherine Hyde This chapter explores how photography can inspire and cultivate sociological mindfulness through two sets of assignments that highlight the complexity of visual representations of social identity and guide sociological inquiry. 4. Seeing Is the Hardest Thing to See: Using Illusions to Teach Visual Perception 43 Cedar Riener A cognitive science professor explains how he uses optical illusions to teach visual perception in ways that encourage students to change their perspectives about how vision works, and in the process begin to question their assumptions about how knowledge is constructed in a variety of disciplines. 5. How to Navigate an Upside-Down World: Using Images in the History Classroom 53 Steven S. Volk This chapter explores the challenges and benefits of working with images in a history classroom, including the complexity of helping students use images as historical evidence, ways in which close readings of images can help students develop deep attention, and how work with images can be done in a way that accommodates all students, including those with limited or no sight. 6. Teaching Film and Filmmaking in a Second Language 67 Alison J. Murray Levine This chapter describes a pedagogical approach that blends theory and practice in upper-level French film classes, and that has objectives, design, and assignments applicable to many contexts in which instructors might want to engage with visual material. 7. Learning to and from the Visual Critique Process 77 Phillip Motley A professor of visual communications examines the ways visual critique can benefit students in art, design, or visual communication fields, as well as those in a range of other courses where interpreting or creating visual images is a crucial part of course content. 8. Teaching Visual Literacy across the Curriculum: Suggestions and Strategies 87 Deandra Little This final chapter highlights seven general suggestions and strategies as a quick guide to effective practice for faculty (and others) working to develop visual literacy in classrooms and across the curriculum. INDEX 91
Note 200 annual accesses. UkHlHU
ISBN 9781119063391 (e-book)
9781119063384 (pbk.)
Series New directions for teaching and learning ; 141
New directions for teaching and learning ; 141.
Subject Inclusive education -- United States.
Visual literacy -- United States.
Special education -- United States.
Alt author Little, Deandra.
Felten, Peter.
Berry, Chad.

Subject Inclusive education -- United States.
Visual literacy -- United States.
Special education -- United States.
Descript 104 pages
Contents EDITORS NOTES 1 Deandra Little, Peter Felten, Chad Berry 1. Teaching Visual Literacy in the Astronomy Classroom 7 Anthony Crider An astronomy professor describes how he teaches students to read and write images, diagrams, and plots to teach visual literacy skills along with a deeper understanding of how images are used to understand and explain in the field of astronomy. 2. Learning to See the Infinite: Teaching Visual Literacy in a First-Year Seminar Course 19 Michael S. Palmer This chapter describes an interdisciplinary first-year seminar course designed to develop students visual literacy skills and includes an overview of the course and a discussion of the efficacy of the instructional interventions, as well as a timeline and description of the specific learning activities used to help students learn to see the infinite. 3. Sociology through Photography 31 Katherine Hyde This chapter explores how photography can inspire and cultivate sociological mindfulness through two sets of assignments that highlight the complexity of visual representations of social identity and guide sociological inquiry. 4. Seeing Is the Hardest Thing to See: Using Illusions to Teach Visual Perception 43 Cedar Riener A cognitive science professor explains how he uses optical illusions to teach visual perception in ways that encourage students to change their perspectives about how vision works, and in the process begin to question their assumptions about how knowledge is constructed in a variety of disciplines. 5. How to Navigate an Upside-Down World: Using Images in the History Classroom 53 Steven S. Volk This chapter explores the challenges and benefits of working with images in a history classroom, including the complexity of helping students use images as historical evidence, ways in which close readings of images can help students develop deep attention, and how work with images can be done in a way that accommodates all students, including those with limited or no sight. 6. Teaching Film and Filmmaking in a Second Language 67 Alison J. Murray Levine This chapter describes a pedagogical approach that blends theory and practice in upper-level French film classes, and that has objectives, design, and assignments applicable to many contexts in which instructors might want to engage with visual material. 7. Learning to and from the Visual Critique Process 77 Phillip Motley A professor of visual communications examines the ways visual critique can benefit students in art, design, or visual communication fields, as well as those in a range of other courses where interpreting or creating visual images is a crucial part of course content. 8. Teaching Visual Literacy across the Curriculum: Suggestions and Strategies 87 Deandra Little This final chapter highlights seven general suggestions and strategies as a quick guide to effective practice for faculty (and others) working to develop visual literacy in classrooms and across the curriculum. INDEX 91
Note 200 annual accesses. UkHlHU
Alt author Little, Deandra.
Felten, Peter.
Berry, Chad.
ISBN 9781119063391 (e-book)
9781119063384 (pbk.)

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