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001 ocn853239318
003 OCoLC
005 20180312054902.3
006 m o d
007 cr |n|||||||||
008 081128s2013 miu ob 001 0 eng d
020 1299734596|q(electronic bk.)
020 9781299734593|q(electronic bk.)
020 9780472029228|q(electronic bk.)
020 0472029223|q(electronic bk.)
035 (OCoLC)853239318|z(OCoLC)853455250|z(OCoLC)929512628
|z(OCoLC)961594952|z(OCoLC)962573823|z(OCoLC)984991843
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|dOCLCO|dU3W|dEZ9|dCOCUF
049 MAIN
050 4 ML3509.F7|bL36 2013eb
082 04 781.65094409041|222
100 1 Lane, Jeremy F.,|eauthor.
245 10 Jazz and machine-age imperialism :|bmusic, "race," and
intellectuals in France, 1918-1945 /|cJeremy F. Lane.
260 Ann Arbor :|bUniversity of Michigan Press,|c2013.
300 1 online resource (226 pages).
336 text|btxt|2rdacontent
337 computer|bc|2rdamedia
338 online resource|bcr|2rdacarrier
490 1 Jazz perspectives
505 0 Acknowledgments; Contents; Introduction; 1 -- Between "the
Virgin Forest and Modernism" : Techno-Primitive Hybrids in
the Work of André Schaeffner and Robert Goffin ; 2 --
Armstrong's "Bitter Laughter" : Jazz, Gender, and Racial
Politics in Léon-Gontran Damas's Pigments (1937); 3 --
Jazz as Antidote to the Machine Age: From Hugues Panassié
to Léopold Sédar Senghor; 4 -- "And What If Jazz Were
French ...?" : Postcolonial Melancholy and Myths of French
Louisiana in Vichy-Era France; 5 -- "Marvellous" Ellington
: René Ménil, Jazz, Surrealism, and Creole Identity in
Wartime Martinique; Coda; Notes.
506 1 Unlimited number of concurrent users.|5UkHlHU
650 0 Jazz|zFrance|xHistory and criticism.
650 0 Music and race|zFrance|xHistory|y20th century.
650 0 World War, 1939-1945|xMusic and the war.
830 0 Jazz perspectives (Ann Arbor, Mich.)
856 40 |uhttps://www.jstor.org/stable/10.3998/mpub.5328915|zGo to
ebook
936 JSTOR-D-2016/17
