Start Over Please hold this item Export MARC Display Return To Browse
 
     
Limit search to available items
Record: Previous Record Next Record
Author Buckland, Warren.
Title Narrative and Narration [electronic resource] : Analyzing Cinematic Storytelling.
Publication Info New York : Columbia University Press, 2020.


Click on the following to:
Connect to https://www.jstor.org/stable/10.7312/buck18143
Persistent link to this item
Click link and copy URL from browser navigation toolbar

Descript 1 online resource (151 p.).
Note Description based upon print version of record.
Contents Frontmatter -- CONTENTS -- Preface -- Acknowledgments -- PART 1. THE BASICS -- 1 The Emergence of Narrative, Narration, and Narrative Agents in Early Cinema (The Gay Shoe Clerk) -- 2 Narrative Structure in Classical and Contemporary Hollywood (Hitchcock and James Bond) -- 3 Narration (Gone Girl, beDevil, and Jurassic Park) -- 4 Enunciation and Reflexivity (The Grand Budapest Hotel and Marnie) -- PART 2. TYPES OF STORYTELLING -- 5 Feminism, Narrative, Authorship (Gone Girl and Orlando) -- 6 Art Cinema Narration (Alice in the Cities and Inland Empire) -- 7 Unreliable Narration and Puzzle Films (You Only Live Once, Stage Fright, and The Butterfly Effect) -- 8 Videogame Logic (The Fifth Element, Inception, and Source Code) -- Coda -- Works Cited -- Index
ISBN 9780231543590
023154359X
 Click on the terms below to find similar items in the catalogue
Author Buckland, Warren.
Series Short Cuts
Short cuts.
Subject Motion pictures -- Philosophy.
Narration (Rhetoric)
Motion picture authorship.
Descript 1 online resource (151 p.).
Note Description based upon print version of record.
Contents Frontmatter -- CONTENTS -- Preface -- Acknowledgments -- PART 1. THE BASICS -- 1 The Emergence of Narrative, Narration, and Narrative Agents in Early Cinema (The Gay Shoe Clerk) -- 2 Narrative Structure in Classical and Contemporary Hollywood (Hitchcock and James Bond) -- 3 Narration (Gone Girl, beDevil, and Jurassic Park) -- 4 Enunciation and Reflexivity (The Grand Budapest Hotel and Marnie) -- PART 2. TYPES OF STORYTELLING -- 5 Feminism, Narrative, Authorship (Gone Girl and Orlando) -- 6 Art Cinema Narration (Alice in the Cities and Inland Empire) -- 7 Unreliable Narration and Puzzle Films (You Only Live Once, Stage Fright, and The Butterfly Effect) -- 8 Videogame Logic (The Fifth Element, Inception, and Source Code) -- Coda -- Works Cited -- Index
ISBN 9780231543590
023154359X
Author Buckland, Warren.
Series Short Cuts
Short cuts.
Subject Motion pictures -- Philosophy.
Narration (Rhetoric)
Motion picture authorship.

Subject Motion pictures -- Philosophy.
Narration (Rhetoric)
Motion picture authorship.
Descript 1 online resource (151 p.).
Note Description based upon print version of record.
Contents Frontmatter -- CONTENTS -- Preface -- Acknowledgments -- PART 1. THE BASICS -- 1 The Emergence of Narrative, Narration, and Narrative Agents in Early Cinema (The Gay Shoe Clerk) -- 2 Narrative Structure in Classical and Contemporary Hollywood (Hitchcock and James Bond) -- 3 Narration (Gone Girl, beDevil, and Jurassic Park) -- 4 Enunciation and Reflexivity (The Grand Budapest Hotel and Marnie) -- PART 2. TYPES OF STORYTELLING -- 5 Feminism, Narrative, Authorship (Gone Girl and Orlando) -- 6 Art Cinema Narration (Alice in the Cities and Inland Empire) -- 7 Unreliable Narration and Puzzle Films (You Only Live Once, Stage Fright, and The Butterfly Effect) -- 8 Videogame Logic (The Fifth Element, Inception, and Source Code) -- Coda -- Works Cited -- Index
ISBN 9780231543590
023154359X
Persistent link to this item
Click link and copy URL from browser navigation toolbar

Links and services for this item:

Persistent link to this item
Click link and copy URL from browser navigation toolbar