LEADER 00000cam 2200661Ii 4500
001 on1110725402
003 OCoLC
005 20201023150958.7
006 m o d
007 cr cnu---unuuu
008 190801s2019 quca ob 001 0 eng
020 9780228000068|q(electronic book)
020 0228000068|q(electronic book)
020 9780228000075|q(ePUB)
020 0228000076|q(ePUB)
020 |z9780773559257|q(paperback)
035 (OCoLC)1110725402
040 NLC|beng|erda|epn|cNLC|dOCLCF|dN$T|dYDX|dEBLCP|dN$T|dJSTOR
|dYDXIT|dCELBN|dOCLCQ|dSFB|dMM9|dBRX
049 MAIN
050 4 PR3091|b.S33 2019
082 04 822.3/3|223
245 00 Shakespeare on stage and off /|cedited by Kenneth Graham
and Alysia Kolentsis.
264 1 Montreal ;|aKingston ;|aLondon ;|aChicago :|bMcGill-
Queen'sUniversity Press,|c[2019]
300 1 online resource (xiii, 288 pages)
336 text|btxt|2rdacontent
337 computer|bc|2rdamedia
338 online resource|bcr|2rdacarrier
505 00 |gPart One.|tPlaying with Shakespeare ;|tThe Plays Not the
Only Thing /|rAntoni Cimolino ;|tGlobal Othello, Then and
Now: The 2015 Royal Shakespeare Company Production in
Context /|rChristina Luckyj ;|tShakespeare, Spectators,
and the Meaning of Race on Stage /|rLauren Eriks Cline ;
|tThe Slutty Clown Speaks the Prologue: Cross-Gender
Casting on the Toronto Stage|rRoderick H. Mckeown ;|tTwo
Productions of The Two Gents: From the Globe Stage to the
Royal Shakespeare Company, 2012-2014 /|rChristie Carson ;
|tEmbodying the Sea: Shakespeare and Physical Theatre /
|rLinda McJannet --|gPart Two.|tWorking with Shakespeare ;
|tIntroduction /|rJulia Reinhard Lupton ;|tShakespeares
Social Work: From Displacement to Placement in Twelfth
Night /|rJulia Reinhard Lupton ;|tLessons from a Street
Fighter: Reconsidering Romeo and Juliet /|rRussell J. Bodi
;|tRooting for Shakespeare: Cooking through Timon of
Athens /|rDavid B. Goldstein ;|tRedeeming Time: The
Dramatization of Desistance in Henry IV /|rJeffrey R.
Wilson --|gPart Three.|tLiving with Shakespeare ;
|tNutshells and Open Trials: Editing and Cinematography in
Live Broadcast Shakespeare /|rR.W. Jones ;|tFilming
Theatre: A Tale of Two Merchants /|rPeter Holland ;
|tShakespeare Adaptation in the Age of the Camera Phone:
Spectacle and Experimental Seeing in Ralph Fienness
Coriolanus /|rHayley OMalley ;|tThe Indian Shakespeare
Trilogy: Maqbool, Omkara, and Haider /|rAmrita Sen ;
|tQueering Will and Kit: Slash and the Shakespeare Biopic
/|rLisa S. Starks ;|tStar Treks Shakespeare Problem /
|rBrandon Christopher ;|tRetelling Macbeth for the Digital
Age: The Multimodal Poetics of Sleep No More /|rJacob
Claflin ;|tSquare Brackets and Performance Choices:
Considering the Shakespearean Stage Direction /|rGina
Hausknecht ;|tNor Understood None Neither: Why It Might Be
Time to Think Seriously about Shakespeare in Modern
English /|rEric Spencer.
600 10 Shakespeare, William,|d1564-1616|xDramatic production.
600 10 Shakespeare, William,|d1564-1616|xStage history.
600 10 Shakespeare, William,|d1564-1616|xAdaptation.
600 10 Shakespeare, William,|d1564-1616|xCriticism and
interpretation.
700 1 Graham, Kenneth J. E.|q(Kenneth John Emerson),|d1960-
|eeditor.
700 1 Kolentsis, Alysia,|d1976-|eeditor.
776 08 |iPrint version:|tShakespeare on stage and off.|dMontreal
; Kingston ; London ; Chicago : McGill-Queen'sUniversity
Press, 2019|z0773559248|z9780773559240|w(OCoLC)1096479741
856 40 |uhttps://www.jstor.org/stable/10.2307/j.ctvscxtd2
921 .
936 JSTOR-D-2020/21
