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Author Cui, Shuqin.
Title Women through the Lens: gender and nation in a century of Chinese cinema / Shuqin Cui.
Publication Info Honolulu : University of Hawai Press, 2008.


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Descript 1 online resource (336 p.)
Note Description based upon print version of record.
Contents Contents -- Acknowledgments -- Introduction -- Part One: Early Production -- 1. From Shadow-Play to a National Cinema -- 2. Reconstructing History: The (Im)possible Engagement between Feminism and Postmodernism in Stanley Kwan's Center Stage -- Part Two: Socialist Cinema -- 3. Constructing and Consuming the Revolutionary Narratives -- 4. Gender Politics and Socialist Discourse in Xie Jin's The Red Detachment of Women -- Part Three: The New Wave -- 5. Screening China: National Allegories and International Receptions -- 6. The Search for Male Masculinity and Sexuality in ZhangYimou's Ju Dou
7. Subjected Body and Gendered Identity: Female Impersonation in Chen Kaige's Farewell My Concubine -- Part Four: Women's Films -- 8. Feminism with Chinese Characteristics? -- 9. Desire in Difference: Female Voice and Point of View in Hu Mei's Army Nurse -- 10. Transgender Masquerading in Huang Shuqin's Human, Woman, Demon -- Postscript -- Filmography -- Notes -- Works Cited -- Index
Note 1 concurrent user. UkHlHU
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Author Cui, Shuqin.
Subject Motion pictures -- China -- History.
Sex role in motion pictures.
Women in motion pictures.
Descript 1 online resource (336 p.)
Note Description based upon print version of record.
Contents Contents -- Acknowledgments -- Introduction -- Part One: Early Production -- 1. From Shadow-Play to a National Cinema -- 2. Reconstructing History: The (Im)possible Engagement between Feminism and Postmodernism in Stanley Kwan's Center Stage -- Part Two: Socialist Cinema -- 3. Constructing and Consuming the Revolutionary Narratives -- 4. Gender Politics and Socialist Discourse in Xie Jin's The Red Detachment of Women -- Part Three: The New Wave -- 5. Screening China: National Allegories and International Receptions -- 6. The Search for Male Masculinity and Sexuality in ZhangYimou's Ju Dou
7. Subjected Body and Gendered Identity: Female Impersonation in Chen Kaige's Farewell My Concubine -- Part Four: Women's Films -- 8. Feminism with Chinese Characteristics? -- 9. Desire in Difference: Female Voice and Point of View in Hu Mei's Army Nurse -- 10. Transgender Masquerading in Huang Shuqin's Human, Woman, Demon -- Postscript -- Filmography -- Notes -- Works Cited -- Index
Note 1 concurrent user. UkHlHU
Author Cui, Shuqin.
Subject Motion pictures -- China -- History.
Sex role in motion pictures.
Women in motion pictures.

Subject Motion pictures -- China -- History.
Sex role in motion pictures.
Women in motion pictures.
Descript 1 online resource (336 p.)
Note Description based upon print version of record.
Contents Contents -- Acknowledgments -- Introduction -- Part One: Early Production -- 1. From Shadow-Play to a National Cinema -- 2. Reconstructing History: The (Im)possible Engagement between Feminism and Postmodernism in Stanley Kwan's Center Stage -- Part Two: Socialist Cinema -- 3. Constructing and Consuming the Revolutionary Narratives -- 4. Gender Politics and Socialist Discourse in Xie Jin's The Red Detachment of Women -- Part Three: The New Wave -- 5. Screening China: National Allegories and International Receptions -- 6. The Search for Male Masculinity and Sexuality in ZhangYimou's Ju Dou
7. Subjected Body and Gendered Identity: Female Impersonation in Chen Kaige's Farewell My Concubine -- Part Four: Women's Films -- 8. Feminism with Chinese Characteristics? -- 9. Desire in Difference: Female Voice and Point of View in Hu Mei's Army Nurse -- 10. Transgender Masquerading in Huang Shuqin's Human, Woman, Demon -- Postscript -- Filmography -- Notes -- Works Cited -- Index
Note 1 concurrent user. UkHlHU
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