Descript |
1 online resource (xxvi, 304 pages) : illustrations |
Content |
text txt |
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computer c |
Carrier |
online resource cr |
Descript |
text file PDF rda |
Contents |
Part I. Early production. From shadow-play to a national cinema ; Reconstructing history: the (im)possible engagement between feminism and postmodernism in Stanley Kwan's Center stage -- Part II. Socialist cinema. Constructing and consuming the revolutionary narratives ; Gender politics and socialist discourse in Xie Jin's The red detachment of women -- Part III. The new wave. Screening China: national allegories and international receptions ; The search for male masculinity and sexuality in Zhang Yimou's Ju dou ; Subjected body and gendered identity: female impersonation in Chen Kaige's Farewell my concubine -- Part IV. Women's films. Feminism with Chinese characteristics? ; Desire in difference: female voice and point of view in Hu Mei's Army nurse ; Transgender masquerading in Huang Shuqin's Human, woman, demon. |
Note |
Use copy Restrictions unspecified star MiAaHDL |
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Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. http://purl.oclc.org/DLF/benchrepro0212 MiAaHDL |
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English. |
ISBN |
0585479143 (electronic bk.) |
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9780585479149 (electronic bk.) |
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9780824865634 |
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0824865634 |
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0824825322 (acid-free paper) |
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9780824832964 |
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9780824825324 (acid-free paper) |
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0824832965 |
Standard # |
10.21313/9780824865634 doi |
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